Reviews

UMake, a self-producing duo consisting of Kent Ito and Yoshiki Nakajima, will release a new mini-album in 2025.

Sir Vanity pushes their boundaries further, bringing one of the jazziest and loungiest EPs to date with the mature "Latitude".

Anthos* keeps its music groovy and fun with a ton of maturity while bringing a ton of new things to the table in "Q".

XlamV impresses with an out-of-the-box set of songs on their 3rd EP, "Landscape".

Shouta Aoi's "Collage" is, easily, one of the best albums of 2024. A show stealer of a statement mini-album that makes me want more and more from him.

SparQlew's "Dear" is a rock solid mini-album that emphasizes the group's growth at the same time that it dishes out yet another streak of fun, addictive rock and pop tunes.

Mamoru Miyano's "Dressing" is a phenomenal single that takes him to neon-filled soundscape with synthwave, complementing it with a deeply emotional orchestral song to wrap it all up neatly in 2024.

Veronica’s “Tokuyaku” delivers a surprising and refreshing twist, showcasing both the band’s eclectic sound and significant character growth for Momochi.

Anthos* has done it again with “MORE”, a bold, innovative release that captures their growth while staying true to their unique sound.

JET RAT FURY’s “WORLD’S ENDING WALKER” takes the band’s heavy rock sound to new heights, delivering their dirtiest and heaviest tunes yet.