Review | ST☆RISH “Ultra Blast”

ST☆RISH has made their comeback with “Ultra Blast” a single that attempts to make the group to sound new and catchy as they bring to the table an upgraded performance.

Title: ウルトラブラスト
Release date: 14/02/2018
Label: King Records
Genre: J-Pop

Tracklist:

1 - ウルトラブラスト
2 - ファンタジック☆プレリュード
3 - ウルトラブラスト −instrumental−
4 - ファンタジック☆プレリュード −instrumental−

Track by track analysis:

1 – ウルトラブラスト

With a grand intro delivered to us by heavy synth work and piano alongside the synth bass, Ultra Blast has just begun.

This track features the usual and trademark elements by which Starish is so well known, such as the synths and the melodic piano that often as not makes its presence felt with minor interruptions to the instrumental piece’s momentum.

Despite the use of the guitar as well as the mix of other rock elements, such as a solo and actual drums as opposed to synth instruments that seem to be a favorite choice, we ought to mention that the chorus is far from being an organized melody.

What could have been a track displaying a new side of the group ended up being overpowering in its chorus as it sounds as if the new elements incorporated into the track’s instrumental piece were simply added to their “sound” with no worries whatsoever regarding the final product, which is Ultra Blast having a lot of potential, yet it not being fully explored.

2 – ファンタジック☆プレリュード

If Ultra Blast has a more of a rock vibe to its instrumental piece,  Fantastic Prelude has more of an orchestral touch to it.

As if we could not get enough of the usual intro with the members shouting “Starish“, Fantastic Prelude makes sure we have a taste of that again.

Despite the fact that the instrumental piece was a good choice, unlike the previous track, we could clearly listen to the members’ falsetto, something that was somewhat lacking in Ultra Blast.

In this case, we can definitely say that in that aspect they certainly hit the nail as we can listen to Kishow and Mamoru going strong in almost what seems like a vocal battle showing that both are amazing.

The bells’ incorporation to the instrumental piece has made this track sound more like a Christmas carol, though we do not know if that was the intended effect, on the other side we must say that the strings worked wonders, and not only do they tie the instrumental piece together they add some jazz to it as well.


Final considerations

We miss the time when we could listen to all members of the group and inherently know who was singing in which part of the track, yet for the past few releases what has become the norm is everyone singing at the same time.

Needless to say that with this sort of strategy we cannot listen to the powerhouses of the group singing let alone the remaining members as they erase their individual presence and become a group of unorganized and overwhelming people.

On the other side of the spectrum, we have “Fantastic Prelude” which oddly enough managed to somewhat make amends for “Ultra Blast” as we could listen to their catchy instrumental piece with some orchestral elements bringing out the full potential of the members, vocal wise.

Another aspect to mention is the fact that in Fantastic Prelude the approach to the singing part was different, as we could listen, the members have stopped singing all at the same time which made for a wonderful performance, if we might say so ourselves.

All in all, Starish has lately been a sort of “hit or miss” as it appears there have been some attempts to make the group’s tracks sound new and catchy, yet along that road, listeners are left with tracks such as “Ultra Blast” that could have been so much more that we are left with a bad aftertaste.


Ultra Blast” is available for purchase on CDJAPAN for all overseas fans.

Ultra Blast / STARISH
STARISH
Nadine Silva
Nadine Silva
Former The Hand That Feeds HQ reviewer (2014 - 2019). Rocker and passionate about a good bass line or low vocal, Nadine is now shining in a different team, rocking and dazzling in the IT industry.

Latest News

Review | Koki Eto “Habatakeru Hikari”

Koki Eto's "Habatakeru Hikari" is a mesmerizing and ethereal conclusion to the "Ano koro no bokura wa" CD series.

Review | LUMIERE “uNCoNTRoL”

RE-O-DO appears more straightforward about his feelings and with a more aggressive than ever sound in "uNCoNTRoL".

Review | Tetsuya Kakihara “Give It To Me”

"Give It To Me" is his best work so far, a flawless single with songs worthy of making it into the "Best of" playlists for the year.
01:48:06

Monthly Review: Koki Eto’s “Habatakeru Hikari”, LUMIERE’s “UnCoNTRoL” and more

In March 2024, Kent Ito arrived with his 2nd EP "Sain" and instantly impressed while Anthos* brought to the spotlight an intense CD with "ROOM".

Comment (remember to be respectful)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

REVIEW OVERVIEW

ウルトラブラスト
ファンタジック☆プレリュード

Related posts

Support THTFHQspot_img
ST☆RISH has made their comeback with "Ultra Blast" a single that attempts to make the group to sound new and catchy as they bring to the table an upgraded performance. Title: ウルトラブラスト Release date: 14/02/2018 Label: King Records Genre: J-Pop Tracklist: 1 - ウルトラブラスト 2 - ファンタジック☆プレリュード 3 - ウルトラブラスト −instrumental− 4 - ファンタジック☆プレリュード −instrumental− Track by track...Review | ST☆RISH "Ultra Blast"