SOARA & GROWTH X Lied series vol.4 (Review)

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Taishi Murata, Chiharu Sawashiro and Junta Terashima wrap up the X Lied series in a satisfying way. It seems that both groups saved the best for last.

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Title: ALIVE X Lied Vol.4
Label: Tsukino-Pro
Release date: 25/08/2017
Genre: J-Pop/Rock

Tracklist:

1. With U
2. リレイズ -Reraise-
3. With U -off vocal-
4. リレイズ -Reraise- -off vocal-

Track by track analysis:

1. With U

Taishi Murata and Chiharu Sawashiro sing “With U“, a fresh pop-rock song with a memorable bassline. For those of you that are fond of bass driven songs this one will be a treat for you. From the bass to the drums, everything is bass driven. The upbeat instrumental is well paced and, aside from the instruments mentioned above, we have simple guitar riffs, adding that youthful, summery vibe to the song and minimal synths as the finishing touches. In the singing department, we need to point out that this is the first time that we can clearly listen to Murata‘s singing without any distractions. He benefits from being in a smaller lineup as well as with a simpler instrumental that leaves a lot of room to standout. Sawashiro‘s singing was melodic as usual as well as steady. Their energy made this an enjoyable experience for us. 5/5

2. リレイズ -Reraise-

Reraise” is “With U” ‘s polar opposite. One of GROWTH‘s strengths lies in the minimal but impactful instrumentals that beg for stellar, vocal-centric performances. What we got with this song was exactly what we could expect. The instrumental is delicate with strings and dreamy synths being a driving force. We occasionally find some drums as well as guitar riffs in the background, but those are there only to enrich the instrumental rather than taking away the focus from Terashima‘s stunning performance. We’ve mentioned before just how steady and comfortable his singing is/sounds like. Terashima sure doesn’t shy away from impressing others with his vibrato and emotional take on the lyrics. We couldn’t ask for more from him. 5/5

Final rating:5 stars

It seems that both groups saved the best for last.

On SOARA‘s side we finally had the opportunity to listen to Taishi Murata and Chiharu Sawashiro. They barely have any spotlight when in a group context and although this format wasn’t what wanted for each one of them to freely showcase their singing skills, it was not overcrowded, enabling us to listen to their lovely voices. Murata tends to blend with the whole group so this was really the first time we listened to his surprisingly good singing skills. He does have a really soothing singing tone that should be on the spotlight more often. Regarding Sawashiro there’s not much that can be said, he does sing well and his singing tone is rather unique, so he didn’t have the need to standout as much as Murata had. Both did an awesome job with this song.

With U” is an enjoyable song with a clear youthful touch – SOARA‘s trademark – that most certainly will excite the listener.

Representing GROWTH was Junta Terashima. “Reraise” wasn’t a surprising song, especially when you’re already predicting how the instrumental will sound based on previous releases, but it still sounded fresh. The almost total lack of drums and guitars put the focus on Terashima‘s vocals and we were in for a treat.

X Lied was the perfect platform to showcase the individual talents in each and every unit part of Tsukipro. We were graced with stellar performances as well as some regrettable ones. But this was necessary to make all the members known, given that most go unnoticed when their groups have powerful singers leading the way.

ALIVE “X Lied” vol.4 completes this series on a really good note.

ALIVE “X Lied” vol.4 is available for purchase on CDJAPAN for all overseas fans.

ALIVE "X Lied" / Ren Munakata (CV: Taishi Murata), Nozomu Nanase (CV: Chiharu Sawashiro), Mamoru Fujimura (CV: Junta Terashima)
Ren Munakata (CV: Taishi Murata), Nozomu Nanase (CV: Chiharu Sawashiro), Mamoru Fujimura (CV: Junta Terashima)

 

Vanessa Silva
Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder, content creator, and music reviewer. Basically, the only person managing everything at The Hand That Feeds HQ. Stumbling upon Mamoru Miyano's "Orpheus" in 2011 was the start of this journey. If music is thought-provoking or deep, you may find her writing almost essays (not limited to, but it happens a lot with Soma Saito's music). She's the producer and host of the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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  1. Nahh, I should be thanking you for writing this kind of in-depth reviews, not just for this one but the other reviews before and after this as well.
    From what I know, there’s so little (pretty much none, in fact) sites that reviews seiyuus’ releases or character CDs to this extent.
    I’m quite a music enthusiast and many times, I read reviews before buying CDs and yeah, reviews like ‘OMG so swoonworthy~’ or ‘xxx is perfection!’ are just not helpful at all XD Which is why I think this site is a godsend, thank you for the hard work all this time and keep up the good job.

      • No problem, we receive notifications whether you reply directly or undirectly to a thread. Once again thanks for your comment and for visiting our website!

    • We bow to you. Thank you so much for these words! We’re so glad that we can not only do something that was lacking in the seiyuu fandom, but also do something for music enthusiasts that love seiyuu music. The fact that our reviews are helpful in any way already brings joy and a sense of accomplishment to us. Really, really, thank you for these words!

  2. The highlight of this volume for me is definitely Terashima Junta. I never thought he could sing THAT high lol
    I knew he could belt out higher notes, based on Growth’s earlier releases like Yuukyuu no Philia (悠久のフィリア), the first 20 seconds is just him.
    At first I thought that was either Yamashita or Yamaya’s voice, until I listened to the audio drama that specifically mentioned that Mamoru (Terashima’s character) has progressed well vocal wise, to be able to tackle the intro part alone and I was like, GODDAMN THAT’S HIM? HE SHOULD BE GIVEN MORE SPOTLIGHT! and this volume is the answer to my prayer XD
    What makes me love ‘Reraise’ more is the lyrics, because it’s basically Mamoru’s message to the other members, you could even see their silhouettes on the PV.
    “I remembered what kindness is, surely because you gave me a place where I can belong” this line here could be directly link to:
    1. How Mamoru is literally picked up by Kou(Toki Shunichi’s character) on the street and he gave Mamoru a place to stay because Mamoru has just lost a job and a home.
    2. Kou and the others give Mamoru a permanent ‘place’ in their midst by asking him to be a member of Growth.

    Damn, I could go on and on haha. I love this group too much and I’m definitely looking forward to see Terashima Junta perform this live someday. Sorry this gets long XD

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