[Oricon Weekly] MEZZO, THRIVE, SideM are featured on this week’s Oricon Chart

We’re back with a new Oricon Weekly roundup.

This article covers the fourth week of March – which includes singles/albums released between 26/03/2018 and 01/04/2018. This week there’s no male seiyuu or 2.5D albums featured on Oricon, hence this week’s roundup won’t count with that category.

Let’s take a look at the data.

Oricon Weekly Single ranking



Ame” has dropped from #9 to #29 during its second week on Oricon Weekly. MEZZO‘s best performing single on Oricon Weekly currently has a little bit over 14.000 copies sold, sitting comfortably within top 30.

We reviewed this release. You can find our review HERE.


THRIVE “Chokan Destiny”

After a surprising second week in which “Chokan Destiny” went up on the charts, the single is now in free fall, dropping from #17 to #35 during its 3rd week on the chart. The single has a bit over 12.000 copies sold.

We reviewed this release. You can find the review HERE.


A3ders! “Haru Natsu Aki Fuyu☆Blooming!

Another release that is losing places on Oricon Weekly is A3ders!‘s “Haru Natsu Aki Fuyu☆Blooming!”. This is its fifth week on Oricon Weekly (all without leaving the top 40). The single dropped from #31 to #40 and currently have a bit over 46.000 copies sold.

We reviewed this release. You can find the review HERE.



The final release of the THE IDOLM@STER SideM 3rd ANNIVERSARY DISC series continues charting on Oricon Weekly although it’s incredibly close from leaving top 50. The release dropped from #13 to #41, the biggest fall this week. This single has now over 10.000 copies sold.

If there aren’t sales figures on the prints we’ve posted it’s because the music label behind that artist doesn’t want to disclose that information. The Oricon charts only count physical copies. Digital figures and ranks might be different.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





You might also like...