Oricon Weekly | B-PROJECT, Makoto Furukawa and more top this week’s charts

Back with a new Oricon Weekly roundup.

This article covers the 3rd week of November – which includes singles and albums released between 15/11/2021 and 21/11/2021.

Let’s take a look at the data.

Oricon Weekly Albums Ranking

#10

NEW ENTRY: B-PROJECT “B with U” (SPECIAL BOX)

B-PROJECT‘s 2nd full-length album “B with U” took the charts by storm, being one of the most buzzworthy releases of the week. Its SPECIAL BOX version sits at #10 with 4,935 copies sold.

A note that MAGES. has the 3 versions of “B with U” charting independently instead of having the sales appearing cumulative. This is not common. If all versions’ sales had been cumulative, this album would be ranked #5.


#11

NEW ENTRY: Makoto Furukawa “ROOM Of No Name”

Makoto Furukawa ROOM Of No Name

Makoto Furukawa‘s stellar 1st mini-album “ROOM Of No Name” takes a seat at #11, with 4,687 copies sold.


#20

NEW ENTRY: B-PROJECT “B with U” (Brave ver.)

The “Brave” version of B-PROJECT‘s 2nd full-length album “B with U” sold 3,298 copies in the past week, earning a spot at #20.


#25

NEW ENTRY: B-PROJECT “B with U” (SPECIAL BOX)

The “Daikoku” version of B-PROJECT‘s 2nd full-length album “B with U” follows closely behind at #25 with 2,505 copies sold.

Oricon Weekly Singles Ranking

#11

NEW ENTRY: Argonavis and GYROAXIA “Kitto Bokura wa / Hibana Chiru”

Kitto Bokura wa / Hibana Chiru regular edition

Argonavis and GYROAXIA‘s joint single “Kitto Bokura wa / Hibana Chiru” takes a comfortable spot at #11, with 6,316 copies sold.


If there aren’t sales figures on the prints posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.


SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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