Back with a new Oricon Weekly roundup.
This article covers the 5th week of July, including singles and albums released between 29/07/2024 and 04/08/2024.
The Oricon charts, known for their comprehensive coverage of the Japanese music industry, provide valuable insights into the best-selling CDs across various categories. These charts serve as a reliable indicator of popular and successful releases, be it physical singles, albums, EPs, or mini-albums.
The Oricon charts meticulously monitor the performance of both physical and digital releases, allowing music enthusiasts to stay up-to-date with the latest trends and sales figures.
However, the focus of this feature is directed specifically towards physical releases, including singles and albums/EPs/mini-albums.
Let’s take a look at the data.
Oricon Weekly Albums Ranking
#14
NEW ENTRY: Hiroshi Kamiya “HARETTER”
Hiroshi Kamiya‘s 10th mini-album “HARETTER“ enters the chart at #14 after selling 6,658 copies.
#43
MAD TRIGGER CREW “.MAD TRIGGER CREW”
MAD TRIGGER CREW‘s “.MAD TRIGGER CREW” slips from #8 to #43 after selling 1,120 copies.
Oricon Weekly Singles Ranking
#15
NEW ENTRY: S.E.M “THE IDOLM@STER SideM CIRCLE OF DELIGHT 15 S.E.M”
S.E.M‘s “THE IDOLM@STER SideM CIRCLE OF DELIGHT 15 S.E.M“ enters the chart at #15 after selling 2,414 copies.
#16
NEW ENTRY: Legenders “THE IDOLM@STER SideM CIRCLE OF DELIGHT 16 Legenders”
And following closely behind it is Legenders with “THE IDOLM@STER SideM CIRCLE OF DELIGHT 16 Legenders“. The CD sold 2,350 copies, more than enough for a spot at #16.
#47
RE-ENTRY: Tasuku Hatanaka “It’s time to fly!”
Tasuku Hatanaka‘s single “It’s time to fly!“ re-enters the chart at #47 after selling 648 copies.
By highlighting the best-selling CDs every week, the Oricon charts offer a snapshot of the Japanese music scene’s popularity and commercial success.
Lastly, Oricon charts’ commitment to inclusivity extends beyond mainstream genres, encompassing a wide array of musical styles. From pop to rock, hip-hop to jazz, and everything in between, these charts strive to reflect the diverse and ever-evolving tastes of music listeners in Japan.
If there aren’t sales figures on the prints posted, the music label behind that artist doesn’t want to disclose that information.
It often happens with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart that is not covered here.
