Oricon Weekly | IDOLiSH7, Tetsuya Kakihara, and more top this week’s charts

oricon weekly 4th week may 2024

Back with a new Oricon Weekly roundup.

This article covers the 4th week of May, including singles and albums released between 27/05/2024 and 02/06/2024.

The Oricon charts, known for their comprehensive coverage of the Japanese music industry, provide valuable insights into the best-selling CDs across various categories. These charts serve as a reliable indicator of popular and successful releases, be it physical singles, albums, EPs, or mini-albums.

The Oricon charts meticulously monitor the performance of both physical and digital releases, allowing music enthusiasts to stay up-to-date with the latest trends and sales figures.

However, the focus of this feature is directed specifically towards physical releases, including singles and albums/EPs/mini-albums.

Let’s take a look at the data.

Oricon Weekly Albums Ranking

#23

Knights “TRIP vol.14”

Knights trip vol.14

After a stellar first week of sales, Knights‘ “TRIP vol.14“ slips on the chart from #1 to #23.

The CD sold 1,698 copies, taking the total copies sold in two weeks to over 51.000.

Knights trip vol.13 oricon weekly 2nd week

#28

NEW ENTRY: VARIOUS ARTISTS “[Re:collection] 2 ~90’s‐00’s EDITION~”

Recollection 2 90 s 00 s EDITION

Avex’s “[Re:collection] 2~90’s‐00’s EDITION~” entered the Oricon Albums chart at #28 after selling 1,533 copies.

Recollection 2 oricon weekly

#31

NEW ENTRY: VARIOUS ARTISTS “[Re:collection] 2 ~80’s-90’s EDITION~”

[Re:collection] 2 ~80’s-90’s EDITION~

Following close behind is “[Re:collection] 2 ~80’s-90’s EDITION~“. The CD entered the chart at #31 after selling 1,310 copies.

recollection 80s and 90s oricon weekly

#36

NEW ENTRY: [Re:collection] 2 ~00’s-10’s EDITION~

Recollection 2 00 s 10 s EDITION

[Re:collection] 2 ~00’s-10’s EDITION~” sold 1,262 copies, more than enough to grab a spot at #36.

recollection 00s and 10s oricon weekly

Oricon Weekly Singles Ranking

#8

NEW ENTRY: VARIOUS ARTISTS “Unit Collaboration Songs”

Unit Collaboration Songs

IDOLiSH7 franchise’s 1st shuffle CD series “Unit Collaboration Songs” entered the chart at #8 after selling 7,892 copies.

idolish7 unit collaboration songs oricon weekly

#16

NEW ENTRY: Tetsuya Kakihara “Give It To Me”

Tetsuya Kakihara Give it to me Regular edition
Regular edition

Tetsuya Kakihara‘s 7th single “Give It To Me” sold 3,069 copies, more than enough for a spot at #16.

Tetsuya Kakihara give it to me oricon weekly

#28

NEW ENTRY: High×Joker “THE IDOLM@STER SideM CIRCLE OF DELIGHT 12 High×Joker”

THE IDOLM@STER SideM CIRCLE OF DELIGHT 12 High×Joker

High×Joker‘s “CIRCLE OF DELIGHT 12” grabs a seat at #28 after selling 1,766 copies.

high joker circle of delight oricon weekly

#32

NEW ENTRY: Sai “THE IDOLM@STER SideM CIRCLE OF DELIGHT 11 Sai”

THE IDOLM@STER SideM CIRCLE OF DELIGHT 11 Sai

Following closely behind is Sai with “CIRCLE OF DELIGHT 11“. The CD sold 1,339 copies, enough for a seat at #32.

Sai Circle of delight oricon weekly

#33

NEW ENTRY: Six Gravity & Procellarum “Rabbits Kingdom -Versus-“

Six Gravity & Procellarum "Rabbits Kingdom -Versus-"

Six Gravity & Procellarum’s “Rabbits Kingdom -Versus-” enters the chart at #33 after selling 1,308 copies.

tsukiuta rabbits kingdom oricon weekly

By highlighting the best-selling CDs every week, the Oricon charts offer a snapshot of the Japanese music scene’s popularity and commercial success.

Lastly, Oricon charts’ commitment to inclusivity extends beyond mainstream genres, encompassing a wide array of musical styles. From pop to rock, hip-hop to jazz, and everything in between, these charts strive to reflect the diverse and ever-evolving tastes of music listeners in Japan.

If there aren’t sales figures on the prints posted, the music label behind that artist doesn’t want to disclose that information.

It often happens with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart that is not covered here.


SOURCE: Oricon – Singles / Albums

Vanessa Silva
Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder, content creator, and music reviewer. Basically, the only person managing everything at The Hand That Feeds HQ. Stumbling upon Mamoru Miyano's "Orpheus" in 2011 was the start of this journey. If music is thought-provoking or deep, you may find her writing almost essays (not limited to, but it happens a lot with Soma Saito's music). She's the producer and host of the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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