[Oricon Weekly] Buster Bros!!!, Hiroshi Kamiya and more top last week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the 4th week of December – which includes singles and albums released between 23/12/2019 and 29/12/2019. 

Let’s take a look at the data. 

Oricon Weekly Album Ranking


NEW ENTRY: Buster Bros!!! “Buster Bros!!! -Before The 2nd D.R.B-“

Buster Bros!!! clinch #1 on Oricon Weekly Album chart after a strong week of sales. Buster Bros!!! -Before The 2nd D.R.B- managed to sell a total of 43,700 copies during the holidays.

Congratulations are in order!


NEW ENTRY: Hiroshi Kamiya “CUE”

Hiroshi Kamiya‘s covers mini-album, CUE, grabs a spot at #9 after a consistent week of sales. CUE counts with 12,877 copies sold.


315 STARS “Pride Star”

315 STARS‘ compilation album, THE IDOLM@STER SideM 5th anniversary DISC 01 Pride Star, drops from #13 to #50 after selling a bit under 1,500 copies.

Oricon Weekly Single Ranking


NEW ENTRY: Yuki “Wonderful Octave”

Yuki (CV: Shinnosuke Tachibana)’s entry in the 12HITS! series had a solid first week of sales that propelled the single to #6. His Wonderful Octave release sold 13,379 copies.


NEW ENTRY: MaM/Valkyrie “Yukai tsukai That’s Alright!/ Gaisenka”

Ensemble stars! Ending theme Vol.5, release featuring new songs by MaM and Valkyrie, grabs a spot at #15 after selling 4,869 copies.


NEW ENTRY: Kashicomi “us / Ame ga yamu ra no made”

Kashicomi‘s 2nd single, us/Ame ga yamu ra no made, finds a spot at #23. The single sold 2,277 copies during its first week of sales.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information. It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





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