Oricon Weekly | Utapri, Takuma Terashima and more top this week’s charts

Back with a new Oricon Weekly roundup.

This article covers the 4th week of August – which includes singles and albums released between 23/08/2021 and 29/08/2021.

A note that this week there were no albums by male seiyuu and 2D groups ranking within Oricon’s Top 50.

Let’s take a look at the data.

Oricon Weekly Singles Ranking

#4

NEW ENTRY: ST☆RISH and QUARTET NIGHT “Shining All Star CD 3″

The Uta no Prince-sama franchise celebrated its 11th anniversary with the release of “Shining All Star CD3″, single featuring new songs by ST☆RISH and QUARTET NIGHT.

And once again the franchise powers its way through the Oricon rankings, raking up 45,958 copies sold, earning a well-deserved #4.


#24

NEW ENTRY: Shun Shimotsuki “Aya o Ushinau”

Shun Shimotsuki Aya o Ushinau

Shun Shimotsuki (CV: Ryohei Kimura)’s “Aya o Ushinau” takes a seat at #24 after selling 2,659 copies.


#28

THE IDOLM@STER FIVE STARS!!!!! “VOY@GER”

THE IDOLM@STER FIVE STARS!!!!! VOYAGER

The IDOLM@STER franchise’s 16th anniversary special single “VOY@GER” slips from #23 to #28 after selling 1,854 copies in the past week.


#33

NEW ENTRY: Takuma Terashima “Reincarnate”

Takuma Terashima “Reincarnate”

Takuma Terashima’s new single “Reincarnate” was met with a lukewarm reception by his fans. The single sold 1,600 copies, taking a seat at #33.


#44

NEW ENTRY: Gaku Oguro “hematite×ruby”

Oguro Gaku -hematite x ruby -

ROCK DOWN’s Gaku Oguro (cv: Takuya Masumoto) takes a seat at #44 with his entry in the 3rd season of the bi-color CD series.

hematite×ruby” sold 846 copies.


If there aren’t sales figures on the prints posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.


SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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