Oricon Weekly | GYROAXIA, 2wink and more top this week’s charts

Back with a new Oricon Weekly roundup.

This article covers the 3rd week of March – which includes singles and albums released between 15/03/2021 and 21/03/2021.

Let’s take a look at the data.

Oricon Weekly Album Ranking


“Bad Ass Temple VS Matenro”

HypnosisMic 2nd Division Rap Battle Bad Ass Temple vs Matenro

Bad Ass Temple VS Matenro” slips from #1 to #6, counting with 18,797 copies sold.

Now, “Bad Ass Temple VS Matenro” counts with over 100,000 copies sold, earning a GOLD RECORD Certification by RIAJ.

Congratulations are in order!




GYROAXIA‘s 1st full-length album “ONE” got a warm reception, with their fans showing their love by taking the album to #10, counting with 10,932 copies sold.


“Dotsuitare Hompo vs Buster Bros!!!”

The biggest slip on the chart goes to Dotsuitare Hompo VS Buster Bros!!!. The album drops from #15 to #41, counting with 1,364 copies sold.

In 4 weeks, this CD counts with over 92,000 copies sold.

Oricon Weekly Single Ranking


Ai Mikaze “Uta no Prince Sama Idol Song Ai Mikaze”

Uta no Prince Sama Idol Song Ai Mikaze

QUARTET NIGHT’s Ai Mikaze (CV: Shouta Aoi) slips on the chart with “Uta no Prince Sama Idol Song Ai Mikaze“. The single drops from #4 to #18, counting with 1,690 copies sold.

In 2 weeks, the single counts with over 20,00 copies sold.


2wink “Ensemble Stars!! ES Idol Song season1 2wink”

Ensemble Stars!! ES Idol Song season1 2wink

Also falling on the chart are 2wink – duo consisting of the Aoi twins, voiced by Soma Saito.

Ensemble Stars!! ES Idol Song season1 2wink” slips from #8 to #28, counting with 1,255 copies sold.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





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