[Oricon Weekly] Re:vale, Growth and more top this week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the 3rd week of January – which includes singles and albums released between 20/01/2020 and 26/01/2020. 

Let’s take a look at the data. 

Oricon Weekly Album Ranking



Growth‘s first entry in the CARDS series, DIAMOND, takes a comfortable seat at #26 after selling 2,113 copies.



RUBIA Leopard‘s 3rd CD, DIG-ROCK RUBIA Leopard Vol.3, had a quiet first week of sales. With only 1,239 copies sold, the CD sits at #44.

Oricon Weekly Single Ranking


NEW ENTRY: Re:vale “Re-raise”

Re:vale had a solid first week of sales. Re-raise managed to sell 9,390 copies, grabbing a spot at #16.


NEW ENTRY: DRAMATIC STARS, Shinsoku Ikkon & F-LAGS “Fine Day! Find Way!”

DRAMATIC STARS, Shinsoku Ikkon & F-LAGS teamed up for the 2nd entry in the SideM 5th anniversary CD series. THE IDOLM@STER SideM 5th anniversary DISC 02 joined this week’s chart at #22 after selling 6,481 copies.


NEW ENTRY: Shin Ichijo “Daisuki Refrain / Dramatic LOVE”

KING OF PRISM‘s Shin Ichijo (CV: Junta Terashima) enters Oricon Weekly Singles chart at #34 with Daisuki Refrain / Dramatic LOVE. The single sold 2,576 copies.


ŹOOĻ “Bang!Bang!Bang!”

ŹOOĻ‘s Bang!Bang!Bang! slips on the chart from #9 to #39. After selling 1,884 copies this past week, the unit’s 2nd single is now over 10,000 copies sold (cumulative).

We reviewed this release. Check our review HERE.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information. It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





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