Oricon Weekly | VS AMBIVALENZ, Fantôme Iris, more top this week’s charts

Back with a new Oricon Weekly roundup.

This article covers the 3rd week of December – which includes singles and albums released between 20/12/2021 and 26/12/2021.

Let’s take a look at the data.

Oricon Weekly Albums Ranking

#33

NEW ENTRY: VS AMBIVALENZ “Go My Own Way”

VS AMBIVALENZ Go My Own Way

VS AMBIVALENZ‘s 1st season mini-album “Go My Own Way” takes a seat at #33 with 3,517 copies sold.


#38

NEW ENTRY: Tetsuya Kakihara “DON’T LET MI KNOW”

Regular

Tetsuya Kakihara‘s 8th mini-album “DON’T LET MI KNOW” grabs a seat at #38 with 2,833 copies sold.


#47

NEW ENTRY: RUBIA Leopard and Impish Crow “DIG-ROCK -BREAK TIME in NY-

The limited edition of “DIG-ROCK -BREAK TIME in NY-“, including Impish Crow and RUBIA Leopard‘s CDs in this series grabs a seat at #47 with 2,219 copies sold.

Oricon Weekly Singles Ranking

#31

NEW ENTRY: Fantôme Iris “Pierrot”

Fantôme Iris‘ newest single “Pierrot” had a lukewarm reception, earning a spot at #31 after selling 1,745 copies.


#40

NEW ENTRY: Kashicomi “fight, fire with fire/ Kimi ni Utau Refrain”

Kashicomi, group consisting of Sho Nogami and Shoya Chiba, released “fight, fire with fire/ Kimi ni Utau Refrain” in the past week however the album was met with a surprisingly lukewarm reception by fans.

The single sold 957 copies in its first week, earning a spot at #40.


#47

NEW ENTRY: Issa Kiduku “ruby×diamond”

With an equally surprising lukewarm reception is Issa Kiduku‘s (CV: Masahiro Yamanaka) “ruby×diamond”.

The single sold 775 copies, just enough for a seat at #47.


If there aren’t sales figures on the prints posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.


SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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