Oricon Weekly | Hiro Shimono, Tasuku Hatanaka and more top this week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the 3rd week of August – which includes singles and albums released between 17/08/2020 and 23/08/2020.

A note that, this week, there were no albums by male seiyuu, bands or 2D idol projects on Oricon’s Top 50. With that being said, this week this article will not feature the “Oricon Weekly Album Ranking” section.

Let’s take a look at the data.


Oricon Weekly Album Ranking

#5

NEW ENTRY: Hiro Shimono “WE GO!”

Hiro Shimono WE GO Regular edition
Regular

Hiro Shimono‘s 2nd full-length album, WE GO! was extremely well received by his fans.

The album managed to sell 12,089 copies in its 1st week of sales, more than enough to earn a place at #5.


#19

NEW ENTRY: GRANRODEO Tribute Album“RODEO FREAK”

GRANRODEO Tribute Album "RODEO FREAK"

GRANRODEO‘s 15th anniversary was celebrated in style with the release of the tribute album, GRANRODEO Tribute Album“RODEO FREAK”.

Artists such as Takanori Nishikawa, MUCC and SID lent their talents to cover some of the band’s iconic songs. The album sits at #19 after selling 2,011 copies.


#46

Argonavis “Starry Line”

Argonavis Starry Line regular
Starry Line regular edition

Argonavis stumble on Oricon Weekly with their 1st full-length album, Starry Line. The album dropped from #3 to #46 after selling 832 copies last week.


Oricon Weekly Single Ranking

#30

NEW ENTRY: Tasuku Hatanaka “HISTORY”

Tasuku Hatanaka History
Regular

Tasuku Hatanaka‘s 4th single, HISTORY got a lukewarm reception, managing to sell only 1,399 copies, which puts the release at #30.


If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.


SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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