[Oricon Weekly] Re:vale, KiLLER KiNG and more top this week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the 2nd week of November – which includes singles and albums released between 11/11/2019 and 17/11/2019.

Let’s take a look at the data. 

Oricon Weekly Album Ranking


Dotsuitare Honpo “Ah, Osaka dreamin’ night”

Dotsuitare Honpo‘s Ah, Osaka dreamin’ night completes its third week on Oricon Weekly Album chart on a sweet and sour note. Despite a solid week of sales, those were not enough to maintain the album within top 5. The mini-album dropped from #3 to #9 after selling a bit over 4,500 copies in the past week.

Ah, Osaka dreamin’ night currently has over 106,000 copies sold in two weeks.


Syo Kurusu “Sweet Kiss”

Syo Kurusu (CV: Hiro Shimono)’s Sweet Kiss dropped more than a couple of spots on this week’s chart. The best off album dropped from #1 to #27 after a slow week of under 2,000 copies sold. 

The album is now over 32,000 copies sold in total.

Oricon Weekly Single Ranking


NEW ENTRY: Momo “Wonderful Octave”

Momo (CV: Soichiro Hoshi)’s entry in the 12HITS! series had a solid first week of sales that propelled the single to #4. His Wonderful Octave release sold 12,381 copies.


NEW ENTRY: KiLLER KiNG “Jyu byo Mirai”

KiLLER KiNG are back with new music and also back to charting consistently on Oricon Weekly. The quartet’s new single, Jyu Byo Mirai sold a bit over 4,500 copies, enough to take them to the comfortable #20 place.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information. It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





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