[Oricon Weekly] IDOLiSH7, Ensemble Stars and more featured on this week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the 2nd week of August – which includes singles and albums released between 12/08/2019 and 18/08/2019.

Let’s take a look at the data.

Oricon Weekly Album Ranking


Natsuki Shinomiya “SUKI×SUKI hanamaru!”

Natsuki Shinomiya (CV. Kisho Taniyama)’s SUKI×SUKI hanamaru! continues on this chart. The album dropped from #5 to #24 after selling a bit over 2.000 copies in the past week.


STARISH, QUARTET NIGHT, HEAVENS “SET LIST ~Theatrical anime Utano prince sama Maji LOVE Kingdom

Utapri’s SET LIST ~Theatrical anime Utano prince sama Maji LOVE Kingdom continues to climb the charts, recovering from #42 to #29 after selling a bit over 1.600 copies in the past week.


NEW ENTRY: M.O.E. “Ano Koro no Omoi ga Hajikeru CD”

M.O.E‘s newest covers album, Ano Koro no Omoi ga Hajikeru CD, managed to grab a spot on Oricon Weekly Chart’s top 50. The album sold a bit over 1.000 copies, taking a seat at #45.

Oricon Weekly Single Ranking


NEW ENTRY: Gaku Yaotome “Wonderful Octave”

Gaku Yaotome‘s entry in the 12HITS! series grabs a spot at #9 after selling a total of 9.045 copies.


NEW ENTRY: Yumenosaki Dream Stars “Stars’ Ensemble”

Yumenosaki Dream Stars, all star group comprised of Ensemble Stars!’s anime cast (minus Adam and Eve), released Stars’ Ensemble!. The single grabs a spot at #14 with a bit over 7.000 copies sold.


NEW ENTRY: StarMyu Musical Song Series 3rd SHOW TIME 7

The new entry in Starmyu‘s Musical Song Series 3rd SHOW TIME enters Oricon Weekly Chart at #48.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information. It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).





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