Oricon Weekly | Buster Bros!!! VS Matenro VS Fling Posse, and more top this week’s charts

Back with a new Oricon Weekly roundup.

This article covers the 1st week of September – which includes singles and albums released between 06/09/2021 and 12/09/2021.

Let’s take a look at the data.

Oricon Weekly Singles Ranking

#1

NEW ENTRY: Buster Bros!!! VS Matenro VS Fling Posse

Buster-Bros-VS-Matenro-VS-Fling-Posse

The Hypnosis Mic franchise does it again! “Buster Bros!!! VS Matenro VS Fling Posse” takes a well-deserved seat at #1 after selling 61,898 copies during its first week of sales.

Congratulations are in order!


#8

NEW ENTRY: VARIOUS ARTISTS “Huddle Up”

REAL FAKE Huddle Up

REAL⇔FAKE’s 2nd CD “Huddle Up” takes a spot at #8 with 8,131 copies.

Oricon Weekly Singles Ranking

#6

NEW ENTRY: ALKALOID ✕ Valkyrie “FUSION UNIT SERIES 03″

ALKALOID ✕ Valkyrie “FUSION UNIT SERIES 03″

ALKALOID and Valkyrie had a strong first week of sales with their FUSION UNIT CD “Ensemble Stars!! FUSION UNIT SERIES 03“.

The single sits at #6 with 6,638 copies sold.


#29

ST☆RISH and QUARTET NIGHT “Shining All Star CD 3″

ST☆RISH and QUARTET NIGHT‘s 11th anniversary CD “Shining All Star CD3″ continues to drop on Oricon’s chart, this time around from #12 to #29.

The single sold 1,051 copies in the past week (over 49,000 copies sold cumulatively).


#32

THE IDOLM@STER FIVE STARS!!!!! “VOY@GER”

THE IDOLM@STER FIVE STARS!!!!! VOYAGER

Also dropping a couple of places on the chart is IDOLM@STER franchise’s 16th anniversary special single “VOY@GER”.

The single slips from #26 to #32 after selling 834 copies.


If there aren’t sales figures on the prints posted, it’s because the music label behind that artist doesn’t want to disclose that information.

It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.


SOURCE: Oricon – Singles / Albums

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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