Oricon Weekly | ŹOOĻ, 2wink and more top this week’s charts

oricon weekly 1st week december 2023

Back with a new Oricon Weekly roundup.

This article covers the 1st week of December, including singles and albums released between 04/12/2023 and 10/12/2023.

The Oricon charts, known for their comprehensive coverage of the Japanese music industry, provide valuable insights into the best-selling CDs across various categories. These charts serve as a reliable indicator of popular and successful releases, be it physical singles, albums, EPs, or mini-albums.

The Oricon charts meticulously monitor the performance of both physical and digital releases, allowing music enthusiasts to stay up-to-date with the latest trends and sales figures.

However, the focus of this feature is directed specifically towards physical releases, including singles and albums/EPs/mini-albums.

Let’s take a look at the data.

Oricon Weekly Singles Ranking

#23

NEW ENTRY: Miyu Irino “Aisazu niwa Irarenai”

Miyu Irino Aisazu niwa Irarenai regular edition

Miyu Irino‘s newest single “Aisazu niwa Irarenai“ enters the chart at #23 after selling 2,080 copies.


#33

NEW ENTRY: Buraikan “Every Day Every Night”

Buraikan Everyday Every Night

Buraikan‘s “Every Day Every Night”, song featured as the ending theme for Paradox Live THE ANIMATION, grabs a seat at #33 after selling 1,210 copies.

Oricon Weekly Albums Ranking

#9

NEW ENTRY: ŹOOĻ “Źquare”

ZOOL ZQUARE regular edition

ŹOOĻ‘s 2nd album “Źquare” received a warm welcome from their fans. The CD sold 15,258 copies, more than enough to grab a spot at #9.


#11

NEW ENTRY: 2wink “TRIP vol.6”

2wink Trip vol.6

2wink‘s new album “TRIP Vol.6” enters the chart at #11. The CD sold 5,718 copies.


By highlighting the best-selling CDs every week, the Oricon charts offer a snapshot of the Japanese music scene’s popularity and commercial success.

Last but not least, Oricon charts’ commitment to inclusivity extends beyond mainstream genres, encompassing a wide array of musical styles. From pop to rock, hip-hop to jazz, and everything in between, these charts strive to reflect the diverse and ever-evolving tastes of music listeners in Japan.

If there aren’t sales figures on the prints posted, the music label behind that artist doesn’t want to disclose that information.

It often happens with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart that is not covered here.


SOURCE: Oricon – Singles / Albums

For media, PR, and business enquiries, please email me at: info@handthatfeedshq.com

Vanessa Silva
Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder, content creator, and music reviewer. Basically, the only person managing everything at The Hand That Feeds HQ. Stumbling upon Mamoru Miyano's "Orpheus" in 2011 was the start of this journey. If music is thought-provoking or deep, you may find her writing almost essays (not limited to, but it happens a lot with Soma Saito's music). She's the producer and host of the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

Comment (remember to be respectful)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Related Articles

More articles