Lantis announced changes in format to this year’s ORE!!SUMMER edition.
OREPARA PRESENTS ORE!!SUMMER 2020 is going to be held at Fujikyu Highland Conifer Forest in Yamanashi on 19/09/2020 and 20/09/2020.
However, the event will be with no audience, shifting its format to a digital, livestream version.
According to Lantis, more details about this livestream will be unveiled soon. A note that the livestream is going to be available only to those that purchase a ticket (it will not be a free livestream).
Daisuke Ono, Kenichi Suzumura, Showtaro Morikubo and Takuma Terashima are going to perform in both days.
The guests for the two days are the following:
- 19/09/2020 – Mitsuo Iwata, Hiro Shimono, Shunichi Toki, Shugo Nakamura, Wataru Hatano
- 20/09/2020 – SCREEN mode, 2HEARTS, Toshiyuki Toyonaga, Tasuku Hatanaka, Makoto Furukawa, Koutaro Nishiyama
For more details on this festival, please refer to the official ORE!!SUMMER website (link below).
SOURCE:Â Lantis official website / ORE!!SUMMER official website (lineup)
I was enjoying the free lives :/
Since we don’t live in Japan, we can’t buy it.
It was good while it lasted tho! Never thought we’d get so many free content! Now, it’s time for male seiyuu to earn their hard earned money – because they deserve it.
Would appreciate that they made the ticket-only lives available for overseas fans because I believe many of us would love to have the opportunity to attend those shows but… baby steps in the seiyuu / music industry in Japan. Baby steps.
Yes! It was good to watch so many free contents đŸ™‚
Sure thing!!
I hope one day they can see that we exist xD
Like Arashi did.
It was pretty awesome from them!
I believe that it will be a question of time – and music labels in Japan taking overseas fans seriously – until we will get to attend online events that, up until now, are exclusive to those living in Japan.
Arashi took their sweet time too – and they are insanely popular even overseas -, so it might take a bit until we get to attend any event by male seiyuu.
This will be the evolution of live viewing – exclusive to Asia – to something global. I am daydreaming right now