Makoto Furukawa and Daiki Yamashita impress in X Lied series Vol.3 snippet video

xlied

Makoto Furukawa (SOARA) and Daiki Yamashita (GROWTH) face each for the 3rd X Lied release. Tracklist and song previews are officially out.

ALIVE “X Lied” vol.3 is set to be released on 30/06/2017. The single is available as a regular edition (CD only).

The cover art is the following:

The tracklist is the following:

1. BUZZER BEATER (Makoto Furukawa)
2. 甘き風のプリムラ (Daiki Yamashita)
3. BUZZER BEATER -off vocal-
4. 甘き風のプリムラ -off vocal-

Tsukino-Pro has uploaded on youtube a snippet video with both tracks.

ALIVE “X Lied” vol.3 is available for purchase on CDJAPAN for all overseas fans.

ALIVE "X Lied" / Soshi Kagurazaka (CV: Makoto Furukawa), Ryota Sakuraba (CV: Daiki Yamashita)
Soshi Kagurazaka (CV: Makoto Furukawa), Ryota Sakuraba (CV: Daiki Yamashita)

SOURCE: Tsukino Pro official twitter account

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).
  1. I was waiting so eagerly to hear a new song from Furukawa Makoto who I absolutely adore, and I ended up falling in love with Yamashita Daiki. Amaki kaze no primula is such a gorgeous song and I love it even more after listening closely to the lyrics. His low warm voice is beautiful (wouldn’t have imagined this when I heard the Hime Hime song). As always, QUELL songs (even though both songs for two different unit boys are written by the same composer) make me feel as if I stepped into another world, and this song somehow makes me feel as if it’s some sort of continuation of the whole unit’s WING with the instrumental composition. And then I was used to more ballad or melodic songs from Furukawa Makoto but he fits this jazzy sort of feel so well, it has a certain charm to it (I can never get enough of his voice).

    • That moment when you can’t edit and you just can’t leave your comment seem stupid because you tried to make it shorter and deleted something relevant…I wrote QUELL songs but I wanted to say this reminds me of the latest song’s style…well, who knows about them will understand me (lol) Just wanted to correct my stupdity somehow.

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