Jun Fukuyama “OWL” – Additional snippet videos released!

Credits: Pony Canyon

Jun Fukuyama is close to make his comeback. “OWL” is the veteran seiyuu’s first full length album, a release that is already shaping up to be something special for his fans. To wrap up all the details about this album, Pony Canyon uploaded several snippet videos on their official youtube channel.

OWL” is scheduled to be released on 21/06/2017, available in three editions: regular, limited and a special Kyonime version (this one only sold in Japan).

The cover art for each edition is the following:

Regular edition

Limited edition

Kyoani edition

The album will also contain a mix of music with narration (featuring Takahiro Sakurai). Fellow seiyuu Showtaro Morikubo wrote the lyrics to “TORPEDO” and Fukuyama‘s previous single “KEEP GOING ON!” made the cut and is featured on this album. The  complete tracklist is the following:

01.OWL
02.前説
03.多弁な曲紹介 [NARRATION]
04.TORPEDO
05.取材  [NARRATION]
06.もしも
07.Go Ahead
08.ランプジェンガ Remix ver(仮)
09.Love Letters~月の下より [NARRATION]
10.キレッキレ
11.多弁な曲紹介ふたたび [NARRATION]
12.多弁ヒロイズム~多弁ヒーローのテーマ
13.折れてます [NARRATION]
14.KEEP GOING ON!

A short version of the title track’s music video is already available on Pony Canyon‘s official youtube channel.

Previews of “Torpedo” and 多弁ヒロイズム~多弁ヒーローのテーマ are already up.

The contents for each edition are the following:

  • Regular: CD +  Original booklet
  • Limited: CD + DVD (music video and making of) + Special digipack + 32 page photo booklet
  • Kyoani: CD + DVD  (music video, making of & behind the scenes) + JUN JUN MAN Special Card +  Special digipack + 32 page photo booklet

OWL” is available for pre-order on CDJAPAN for all overseas fans.

OWL / Jun Fukuyama
Jun Fukuyama

SOURCE: Jun Fukuyama music official website/ Jun Fukuyama official twitter account

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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