Fero☆Men “Opera” (Review)

FEROMEN

Fero☆Men returns with a daring, refreshing sound in OPERA, single that goes outside of the group’s comfort zone.

A type
Title: OPERA
Label: Columbia
Release date: 29/11/2017
Genre: J-Pop/Ballad/Industrial rock

Tracklist (A type):

1 - オペラ (Opera)
2 - AnGeL fAlL
3 - オペラ(Instrumental)
4 - AnGeL fAlL(Instrumental)

Track by track analysis:

1 – OPERA

This song will throw the listener off, especially if a fan of their previous work. OPERA is nothing alike Feromen’s trademark sound. OPERA embraces a dark and aggressive vibe.

Dirty synths are the core of this instrumental, being complimented by slow-paced drums alongside dark strings that make this instrumental stand out for its industrial and dramatic vibe.

The verses a clean and simple, growing in tension as we approach the chorus, this one being the highlight of the song.

It’s during the chorus that the contrast between Suwabe’s low, deep vocals and Toriumi’s higher and smoother ones works best, the buildup and performance in that section are flawless.

This approach is certainly fresh but, at times, we got the feeling that the instrumental, although interesting was being too dramatic just for the sake of it, without much content.

2 – AnGeL fAlL

AnGeL fAlL” doesn’t disappoint. This ballad glued us to our seats.

The piano’s melancholic melody and longing strings were more than enough for us to notice that we were in for a treat with this song.

Adding to the piano and strings are acoustic elements, mainly acoustic guitars and a minimalistic bassline and synths as well as bassy, slow-paced drums.

The instrumental is fairly simple and doesn’t sound crowded, on the contrary, the instrumental is so well crafted that we can easily pinpoint each instrument without more than two listens.

The melancholic vibe comes to life with Suwabe and Toriumi’s emotional performances. A gem of a song.

Final considerations

This is the first time that Fero☆Men has presented us with such a song. We’re so used to their underlining seductive and dramatic tones that “OPERA” completely caught us off guard.

Despite “OPERA” being heavily criticized by fans of Dies Irae that claim the title track is “ridiculous” among other not-so-nice comments, we found the track to be an interesting and fresh listen.

The fact that they went out of their comfort zone with the title track was rather interesting.

We can justify this change in tone as an effort from the duo to fit the mood of the anime in which it was featured – “Dies Irae”. If we pay closer attention, OPERA has two different tones on it.

A darker, in which Suwabe’s rough and deep vocals fit the best, and a brighter or at least, less dark tone, in which Toriumi’s high range actually fits best. That is easily noticeable in each solo section.

AnGeL fAlL” is the kind of ballad we’d expect from Fero☆Men, emotional and well crafted. The instrumental alone grabbed our attention but what put us glued to our seats was the melancholic performance.

This is easily the duo’s best ballad to date. If there’s something we’ve noticed after years of listening to Fero☆Men’s music is that this duo excels in that alluring vibe (that is absent in this release) and ballads. Suwabe and Toriumi’s vocals complement each other perfectly and seem to fit the genre to a T.

That is a piece of territory in which the duo sounds comfortable and not at all rushed or forced.

All in all, the duo put aside their alluring vibe in exchange for a darker and more powerful sound that piqued our interest.

It might have not been as well executed as some of their previous releases, but it still is a good entry in their repertoire.

OPERA” is the release Fero☆Men’s fans were longing for, fresh and original, something that only this seiyuu unit can pull off.

Opera” is available for purchase on CDJAPAN for all overseas fans.

Opera / Phero Men
Phero Men
Opera / Phero Men
Phero Men
Vanessa Silva
Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder, content creator, and music reviewer. Basically, the only person managing everything at The Hand That Feeds HQ. Stumbling upon Mamoru Miyano's "Orpheus" in 2011 was the start of this journey. If music is thought-provoking or deep, you may find her writing almost essays (not limited to, but it happens a lot with Soma Saito's music). She's the producer and host of the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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REVIEW OVERVIEW

OPERA
AnGeL fAlL

SUMMARY

“OPERA” is the release Fero☆Men’s fans were longing for, fresh and original, something that only this seiyuu unit can pull off. This is the first time that Fero☆Men has presented us with such a song. We’re so used to their underlining seductive and dramatic tones that “OPERA” completely caught us off guard. They were bolder about their sound and approached it with a fearless determination that led to one of the most refreshing songs in their repertoire.

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“OPERA” is the release Fero☆Men’s fans were longing for, fresh and original, something that only this seiyuu unit can pull off. This is the first time that Fero☆Men has presented us with such a song. We’re so used to their underlining seductive and dramatic tones that “OPERA” completely caught us off guard. They were bolder about their sound and approached it with a fearless determination that led to one of the most refreshing songs in their repertoire.Fero☆Men "Opera" (Review)