Review | EROSION “Aspiration”

EROSION

Aspiration” finds the 5-vocal rock band leaning towards electronic rock and ballads, with mixed results.

CARNELIAN BLOOD is a mixed media – voice comics, music, etc – project created by Rejet. EROSION stems from the franchise as its representative group, a rock band with 5 vocals.

EROSION‘s lineup includes leader Shoya Chiba, Ryota Suzuki, Arthur Lounsbery, Toshiyuki Toyonaga and Yuya Hirose.


EROSION Aspiration
Title: Aspiration
Label: Rejet
Release date: 23/09/2020
Genre: Electronic-Rock

Tracklist:

1 - (INTRO) Lighthouse
2 - Aspiration
3 - The Oath
4 - Voice Drama “Exciting school life"

Track by track analysis:

2 – Aspiration

EROSION go a calmer, easier listening route for Aspiration. The track kicks off with a slow paced beat and intermittent, muffled guitar riffs.

Dynamics change when the song progresses to the 1st verse, introducing a groovy bass line, fast paced electric guitar riffs and hi-hat driven drums, mixing live with samples to enhance some parts of the mix.

Also adding a danceable touch to the track are synths, being pretty big in the intro and the chorus.

On the vocals end, EROSION count with a set of rock solid solo performances but a frustrating group performance.

Although Shoya Chiba is expected to be the main vocal for the group – as the leader -, this song is easily Toshiyuki Toyonaga’s, completely stealing the spotlight from everyone else in what is a stellar performance.

As a band, EROSION lacked power and resorted to a the good old, effortless 2D idol group ensemble type of performance, almost erasing the awesome work that each member did in their solo parts.

All in all, Aspiration is a solid track but way too comfortable and pop focused and synth oriented to be called a rock track.


3 – The Oath

Things get darker for The Oath. This song goes the dramatic route, with delicate piano melodies painting the canvas of this emotional song.

Acoustic guitars and strings are pivotal to flesh out this rock ballad into the powerful piece. Slow paced, snare-driven drums and a barely noticeable bass cover the background, adding depth to this The Oath.

Strings soar in the chorus adding a tragic touch to the track and, although this track is not a full-on power ballad, it certainly is a softer take on the genre and done in a pretty tasteful way.

On the vocals end, EROSION count with their best performance in this single.

Yuya Hirose is at center for this track, leading the everyone with his delicate, high-toned, breathy vocals. But let’s not forget the rest of the band as they go for a lyrical performance, suitable for this type of dramatic rock ballad.

When The Oath comes to a close you’ll only want one thing: to hit the replay button.


Final considerations:

EROSION‘s Aspiration has its moments of brilliance although the band is sounding more and more like an idol group instead of a rock band, which as some of you may be aware of, is the band’s selling point.

For a band that started out with a considerably heavy sound as their debut song, with each song they have been gradually toning down the aggression.

EROSION have shifted from high-octane rock with some hits and bits of hardcore, to easy-listening pop-rock.

This is not necessarily a bad thing, toning down usually makes the music and the project itself more accessible to those fans of 2D projects – that are on the fence because they are not keen on heavy rock music -, however, this is a frustration of expectations, at least for me, as I expected this band to not sacrifice their “heavier” sound – which is rare in 2D music projects – in order to be more accessible.

Aspiration ends up going the generic route, bringing in electronica, mixing it with rock and giving birth to a sound that, if you are familiar with 2D music, you’ll instantly feel like you’ve previously heard it somewhere.

There’s no novelty in the sound with nothing new being added to it – not even the vocals -, in order to make it sound fresher or less of an idol group song than it already did.

In the end it is an entertaining track but already straying a bit away from rock, venturing into alternative territory.

The Oath takes home the prize of the best song in this release.

It is almost like an OSIRIS meets Growth sound (although not matching the vocal prowess of both) and it is all in a grandiose, dark and emotional setting that captured my attention.

Add to it the vocals that had a bit of a lyrical touch to them plus Yuya Hirose‘s outstanding performance as center for this track and yes, you do have here a really solid rock ballad, the 1st by EROSION.

All in all, EROSION‘s Aspiration is a much softer single than initially expected. A softer rock sound and an emotional ballad shed a different light over the talented 5-vocal band that is still trying to find their middle ground.


Aspiration is available for purchase at CDJAPAN.

5-Vocal-Band "EROSION" 2ndSingle from CARNELIAN BLOOD / Toxin Akabane (Shoya Chiba), et al.
Toxin Akabane (Shoya Chiba), et al.

Aspiration is available for streaming on Spotify.


Do not support piracy. Remember to support this band by streaming via official outlets.

REVIEW OVERVIEW
Aspiration
The Oath
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. A year later, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

2 COMMENTS

  1. Just a heads up, Aspiration is meant to be a Creha (Toyonaga’s character) center song actually. That’s why he gets the most lines in this song.

    • Sophie, thanks for the comment and little bit of info! I was actually aware of that – although I didn’t mentioned it explicitly like I did in “The Oath”, that has Yuya Hirose’s character as center.

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