Best single/album in the first half of 2016 [RESULTS]

After a month of voting the results for “Best Single/Album in the first half of 2016” are finally out. First of all thanks to everyone who took their time to vote and spread the word about this poll. Although the participation on this poll was not massive in comparison with the poll we had running last year, we still got 200 of you to vote for this. A major thanks to you.

As we told you before in our Facebook and Twitter accounts, the top five will proceed to January’s major poll for Single/Album of 2016 together with the top 5 from the second half of our poll to be in motion early in December – so we request that you be on the look out for updates from us regarding that poll. It will only run during December so we ask you for your mass participation.

For almost 30 days, you’ve voted for your favorite releases in the three categories we created. Now it’s time to unveil the top 5 for each category.

Without further ado, here are the winners for each category:

best single solo

#5 – Tetsuya Kakihara “Susumasero” – 13%

Regular edition

#4 – Mamoru Miyano “Shout” – 18%

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#3 – Shouta Aoi “Zessei Star Gate” – 23%

regular shouta

 

#2 – Mamoru Miyano “How Close You Are” – 25%
KICM-1648

#1 – Miyu Irino “Uso to mirai to” – 45%

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Unit

#5 – Nebulas “Hoshi dake ga shiru” – 19%

NEBULASをよろしくお願いします。

#4 – SolidS “Red” – 20%

solids

#3 – SolidS “Black” – 21%

solids

#2 – Thrive “Maybe Love” – 25%

thrive

#1 – GRANRODEO “Trash Candy” – 38%

granrodeo

 

album

#5 – Kensho Ono “Colors” – 11%

colors

#4 – Hiroyuki Yoshino “Cycle” – 17%

cycle

#3 – OLDCODEX “Fixed Engine” – 24%

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#2 – Toshiyuki Toyonaga “C”LR”OWN” – 27%

clrown

#1 – Trignal “Plus” – 34%

Regular edition

Are your favorites in the top 5? Share your thoughts with us!

Vanessa Silvahttps://www.handthatfeedshq.com
The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Also, the only person managing everything The Hand That Feeds HQ related. In 2011, I stumbled upon Mamoru Miyano's "Orpheus". Since then I have been writing about male seiyuu music. You may find me writing almost essays whenever music is really good (not limited to, but it happens a lot with Soma Saito's music). I also host the male seiyuu-centric podcast, SEIYUU LOUNGE (see Spotify link in this profile).

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